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#Logic pro x compressor series#

One of the most used compressors of the 70s and 80s. Classic VCAīased on the dbx 160, this mode offers the fewest controls out of all the modes: Threshold, Ratio, and Makeup. The original excels at levelling and adding character to drums, bass & guitar, and rock vocals, and this version does a great job of doing the same. Studio FETĪn emulation of one of the most popular solid-state compressors ever, the Universal Audio 1176 Rev E “Blackface”.įamous for introducing ultra-fast attack times to studios it also functions well as a line amplifier when no compression is applied, adding some presence and brightness due to its unique circuitry and components making this very much a character tool. While the original hardwire is fully discrete and therefore offers very little colouration, this version offers slightly more pronounced harmonic overtones which can be varied in character by switching through the distortion modes available in the output section. This mode is great for bus compression as well as handling bass instruments or other low-frequency instruments like drums.

#Logic pro x compressor series#

The main giveaway is the metallic red appearance and the knobs which match those found in Focusrite’s Red series hardware. This is an emulation of Focusrite’s popular Red 3 Compressor, and the actual unit is a favourite of top mixer Chris Lord-Alge on the mix bus. This mode is suitable for just about any application you may need a compressor for, and will not alter the character of your source material if transparent compression is your goal. Very fast in fact, given the plugin’s ability to provide an attack time of 0 ms!

Apple describes it as “a clean-sounding compression type with a fast transient response”.

READ MORE: What are reverse fades and when to use them?.

READ MORE: What’s the difference between Ableton’s Compressor and Glue Compressor.

Let’s have a look and identify the different modes of this plugin. While these modes are not strictly one-to-one copies, they are certainly inspired by the originals, and when used similarly, yield comparable results. This, in reality, is false.Ī sort of Swiss-Army plugin, the Compressor features a variety of options, compressions types, and extended controls such that it could be argued it actually has an edge over its competitors.

Novice or intermediate enthusiasts would be forgiven for thinking that this “stock” tool does not hold its own against more premium and dedicated emulations from third-party plugin companies like Waves or Slate Digital. If you own a copy of Logic Pro X, you may be familiar with the stock Compressor plugin, but did you know that its various modes are actually emulations of popular hardware compressors?